Friday, 15 December 2017

BOOK REVIEW: “Tracing your Great War Ancestors: The Egypt and Palestine Campaigns – A Guide for family historians” by Stuart Hadaway, Pen & Sword Family History, Barnsley, Yorkshire, 2017.

Just prior to the onset of the First World War, the British Navy changed from using coal to using diesel oil, which meant it was vital to keep the oil wells and the Suez Canal in Allied hands.   The Egypt and Palestine Campaigns were therefore vital, yet they are often forgotten in favour of the Western Front.   This book, which is illustrated throughout with superb photos, explains the background to the Campaigns – the signing of a secret treaty between the Ottoman Empire and Germany in August 1914 - and goes on to give detailed descriptions of the fighting in Egypt and Palestine and also explains how to go about searching for your family members who served in the armed forces during the conflict.  

Here you will find descriptions of the difference in the challenges and needs of the men fighting in a hot climate to the requirements of the Western Front, along with fascinating anecdotes such as the use of camels, elephants and mules to transport ammunition, guns, food, water, and so on.   As the granddaughter of a Gunner who served in Palestine during WW1, I was particularly interested in the detailed description of the different types of gun used by the Royal Horse Artillery, Royal Field Artillery and Royal Garrison Artillery and the logistical problems involved in getting the guns, ammunition and men to the right place at the right time on difficult terrain.

I also read with interest about the health issues of the Campaigns and the setting up of the different medical facilities – Field Ambulances, Casualty Clearing Stations, Base Hospitals and so on – again all very different to those encountered on the Western Front.

I found the following particularly helpful - the map at the beginning of the book, the detailed instructions on tracing your WW1 ancestors, a chapter on Prisoners of War, the time-line of the Campaigns from 1st August 1914 up to July 1919, an extensive further reading list.

Do you know what ‘cacelots’ are?  I didn’t either but you can find out on page 86.

Stuart Hadaway has produced a very valuable and extremely readable book and I cannot recommend it highly enough - even if you do not have ancestors who served in that theatre of the war.

“Tracing your Great War Ancestors:  The Egypt and Palestine Campaigns – A Guide for family historians” by Stuart Hadaway, published by Pen & Sword Family History, Barnsley, Yorkshire, 2017 and costs £14.99.  For further information, please see the Pen & Sword website: https://www.pen-and-sword.co.uk/

Wednesday, 22 November 2017

American WW1 Red Cross Cake - update

Keith Arden Colley has let me know that the cake arrived in time for Thanksgiving.

More soon...

Thursday, 16 November 2017

American WW1 Red Cross Cake - baked to send across the Atlantic to the Doughboys in France

Keith Arden Colley in Texas, USA has a mobile First World War commemorative exhibition which he takes on tour.   During a recent exhibition Keith put some posts on his Facebook page and one of them I found particularly interesting.  It was a WW1 Red Cross cake recipe for a cake to be sent across the Atlantic to the troops of the American Expeditionary Force (AEF), who were known as “Doughboys” because of the shape of their hats.

I decided to make the cake and found it delicious.  Then I had an idea – why not bake a cake and send it back across the Atlantic by surface mail.  In 1917, when America joined WW1 on the side of the Allies, aeroplanes were still something very new, the first recorded flight being in 1903.

Keith thought the idea sounded great so we took some photos of the cake being packed up to send off to Keith and hope to bring you more when the cake reaches Keith.

The Recipe
Ingredients:
2 cups brown sugar
2 cups hot water
2 tablespoons of lard (if this is not going by sea you could use an alternative fat)
1 teaspoon each of cinnamon, mixed spice and cloves
8 ozs. Raisins or Craisins – soaked in Rum
1 teaspoon Baking Soda
3 cups of flour

Method:
Preheat oven to 190 degrees. Place all ingredients in a pan – except for the flour and soda.  Bring them to the boil, stirring frequently.  Reduce the heat and simmer for 5 minutes.  Remove from the heat and cool.  Stir in the flour and soda and mix well.

Grease a loaf tin.  Pour the mix into the tin and bake for 45 minutes.  

NOTE:  I found it was better to bake the cake at a cooler temperature for longer.

For more information about Keith Arden Colley’s Mobile Commemorative WW1 Exhibition follow the link http://www.ww1mobilemuseum.com/ or find Keith on Facebook

For a fantastic account of the hazards of crossing the Atlantic during 1914 – 1918 see “Into the Danger Zone: Sea Crossings of the First World War” by Tad Fitch and Michael Poirier (The History Press, Stroud, Gloucestershire, UK, 2014).  You will find a review of the book in a previous post on this blog.  Tad and Michael also have a Facebook page:   https://www.facebook.com/intothedangerzone/ 

Friday, 10 November 2017

HUGH GORDON LANGTON (1885 – 1917) - Violinist

A few weeks ago I saw a photograph of the grave of Hugh Gordon Langton posted on a commemorative First World War Facebook Group page.   Someone had visited the Peolcapelle British Cemetery and saw Hugh's grave and felt it was unusual.  I just had to find out more.

Gifted violinist Hugh Gordon Langton, was born in London and studied the violin with some of the most famous music professors of the era.  Like his father, Hugh was a Freemason. 

Hugh joined the 4th Battalion of the London Regiment during WW1 and was killed during the Battle of Passchendaele on 26th October 1917.   He was buried in Poelcapelle British Cemetery, Langemark-Poelkapelle, West Flanders, Ieper/Ypres, Belgium.   His Commonwealth War Graves Commission headstone is unusual in that it has some musical notes engraved on it.  
A note on Hugh's memorial on the Commonwealth War Graves Commission website suggested that the musical notes might be taken from the popular song "After the Ball".  But it occurred to me that they might not come from that tune as Hugh was a classical musician.  So I asked our talented musician friend David Windle if he could identify them.  David, who is Musical Director of the Tower Circus in Blackpool, told me that, although the tune is similar, the notes are not from "After the Ball". 

David researched Hugh’s life story and was moved to compose a piece of music with a violin cadenza in honour of Hugh Gordon Langton.  He has called the piece “Langton’s Theme” - David has written the score which includes a violin cadenza and is hoping it will be performed.  Singer Lynne Fox produced a short video to accompany the music David composed: https://www.youtube.com/watch?v=3iOho4c_bJg&feature=player_embedded

The local brass Band at Harelbeke near the cemetery have also composed a piece of music which they play every year at Hugh’s graveside.


For further information about David's composition, please contact David Windle on circus2016@outlook.com

Monday, 6 November 2017

REVIEW OF “PHOTOGRAPHING THE FALLEN: A WAR GRAVES PHOTOGRAPHER ON THE WESTERN FRONT” by Jeremy Gordon-Smith published by Pen & Sword, Barnsley, Yorkshire, UK in 2017

Jeremy Gordon-Smith has edited photographs taken by his Great-Uncle, Ivan Bawtree, who worked for the Kodak Company and who became an official photographer of war graves on the Western Front during the First World War.  Ivan worked for a special Graves Registration Unit set up during WW1 when “it was decided that each soldier, regardless of rank, should be given an individual burial with a wooden cross, later to be replaced with a headstone” (pp.13-14).  The Unit worked continuously, dangerously close to the Front Line, and in all sorts of conditions, taking photographs of the graves and cemeteries.  The photographs were developed onto glass plate negatives – fortunately Ivan made two copies – one of which he kept.  Jeremy’s father rescued the plates after Ivan’s death.   The result is an amazing book which, to my mind, is required reading for anyone visiting the cemeteries of the Western Front or anyone who had a relative killed during WW1.

Jeremy takes us on a journey of discovery from the early days of the setting up of the Imperial War Graves Commission (now known as the Commonwealth War Graves Commission) to the end of the Commission’s work on WW1 graves and cemeteries on the Western Front, which was, ironically, completed in 1938.  Also included are extracts from Ivan’s diaries and an account of the personal story of Ivan’s life up to his death in 1979 and, at one stage, he worked as an Orderly at the Field Hospital next to Lijssenthoek Military Cemetery.

Ivan’s work with the Graves Registration Unit was vital for morale, as it gave those people who were unable to visit the graves of relatives who had been killed or died. “His job facilitated a way for families to mourn their loves ones who had lost their lives in the line of duty.   His work provided relatives with something tangible of what remained of their loved one;  a window they could not otherwise have had… (p. 117).  Many of the photographs in the book remind us of those who came from far away to help the Allied cause – Australians, Canadians and the grave of Li Hung Ching, a Chinese Labour Corps worker who died on 21st January 1918 (p.218)

I particularly liked the way Jeremy has blended some of Ivan’s WW1 sepia photographs – which are amazingly clear - with recent photographs he took while re-visiting Ivan’s old haunts on the Western Front.  One photograph, taken on Whit Monday at Ypres during a sports day, shows an orchestra that  “consisted of a party of German prisoners and escort.  The prisoners performed with violins made by themselves out of cigar boxes, etc. They did very well.” (p.254).

I found this book extremely moving and it is surely a wonderful memorial to the work of Ivan and his fellow members of the Registration Unit but also to all those who were killed or died on the Western Front during WW1.

"Photographing the Fallen:  A War Graves Photographer on the Western Front 1915 – 1919” (Pen & Sword, Barnsley, 2017) £25.  For further information about this book or to find out about other Pen & Sword publications, please see www.pen-and-sword.co.uk or e-mail enquiries@pen-and-sword.co.uk and/or

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Tuesday, 17 October 2017

Fougasse - Cyril Kenneth Bird (1887 - 1965) - British cartoonist, artist and illustrator

I first found out about Fougasse while reading “Dear Turley” – a tribute to Charles Turley Smith the writer who died in 1940.  Fougasse had illustrated one of Turley’s books and wrote a piece for the tribute - "Dear Turley" edited by Eleanor Adlard and published by Frederick Muller Ltd., London, 1942.
Cyril Kenneth Bird was born in London on 17th December 1887.  His father was company director Arthur Bird, b. 1847 and his mother was Mary Bird, b.1852, nee Wheen.   Cyril had a sister, Mary, born in 1885   He was educated at Cheltenham College and King’s College London, where he studied art at evening classes at the Regent Street Polytechnic College.

Cyril married Mary Holden Caldwell (b. 24th June 1889) on 16th September 1914 in Paddington, London.

During the First World War, Cyril joined the Royal Engineers and was badly wounded during the Gallipoli Campaign.  He took the name ‘Fougasse’ for his illustrations, as the name ‘Bird’ was already in use by an artist.  The term “fougasse” referred to a French WW1 mortar.  If you google the word these days, you will find recipes for a focaccia type bread...

While convalescing in Britain, Cyril began contributing cartoons to “Punch” “Graphic” and “Tatler” magazines and after the war he designed advertising posters as well as illustrating books.

During the Second World War, Cyril worked for the Ministry of Information and produced propaganda posters, among them the famous "careless talk costs lives" poster.

Cyril died on 11th June 1965.

https://en.wikipedia.org/wiki/Fougasse_(cartoonist)

Friday, 1 September 2017

Book about Leighton Buzzard, Bedfordshire in WW1 - publication date 2nd October 2017

Well in time for our Christmas Wish Lists here is news of a WW1-related book to be published on 2nd October 2017 by The History Press.  “Sand, Planes and Submarines: How Leighton Buzzard shortened the War” by Paul Brown and Delia Gleave.   To pre-order a copy please see the following link: https://www.amazon.co.uk/Sand-Planes-Submarines-Leighton-shortened/dp/0750983701?SubscriptionId=AKIAJFLQEIYOLULAFUYQ&tag=wwwthehisto0b-21&linkCode=xm2&camp=2025&creative=165953&creativeASIN=0750983701

I am reliably informed there will be some WW1 poems written by munitions workers and a chapter about local nurses.  Definitely a must buy.

I am reliably informed there will be some WW1 poems written by women munitions workers (see photo from the Bedfordshire and Luton Archives) and a chapter about local nurses.  Definitely a must buy.

With thanks to Elise Ward who posted mention of the poems on Debbie Cameron's Facebook Page Remembering Women on the Home Front WW1.